Of my first drawings odd said they were very beautiful and the word sensative would continue to come up regarding my work. A characteristic that maybe a common result of tedious hours of observation during ones atelier training nonetheless odd is highly skeptical of lifeless looking work that comes from the ateliers and academies. He told me that he cant stand slick paintings and that there are too many castles with this sort of stuff hanging all over the world. His great inspirations like rembrandt and titian were loose and rough as hell in their greatest years.
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